I've been part of music video projects since 2016 — sometimes in front of the camera, sometimes behind it, often both. These are selected projects, with the numbers attached and the parts that don't show up in the final cut.
The project that reached furthest by a wide margin. Shot without a conventional film crew, which meant everyone on set carried more than one role — including me. Singer Dinesh Dhakal, directed by Manav Subedi.
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A Teej song built around an ensemble, credited as artist alongside Sukriti Uprety and Utsaha Ghimire. Vocals by Eleena Chauhan, Samikshya Adhikari and Rachana Rimal.
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A gajal, directed and choreographed by Ramji Lamichhane, vocals and composition by Thaneshwor Gautam. The rehearsals and the expression work mattered more here than anything technical.
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Fewer views than the big two, and still the project that brought recognition — the Cultural National Music Award 2024, Best New Model (Female). Proof that reach and impact aren't the same measurement.
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My second original composition, after Samarpan — written, sung and composed by me, with Kushal Singh Niel as co-singer, composer and arranger. Sabin Karki's production, distributed by MusicSpark. The one that cost the most to make real, creatively and financially, and where I learned what carrying a project yourself actually asks of you.
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My first original composition, and my own release start to finish — written, composed and sung by me, presented under my own name. Music produced by Kushal Singh Niel, mixing and mastering by Firoj Bajracharya, directed by Sagar Gyawali with cinematography by Narayn GC.
Watch on YouTube →Through My Lens goes deeper into each project — what happened behind the camera, what the analytics said afterwards, and what I'd do differently.
Read Through My Lens